Computers/Art
Computers and Art
Computers
Comuters are useful, fun, exciting, but they can be a scary place. Chcek out these cool links to keep you and your friends safe on the internet!
https://www.bced.gov.bc.ca/resourcedocs/internet_safe/
https://cybertip.ca/app/en/inet_safe_overview
https://www.loveourchildrenusa.org/parent_internetsafety.php
I especially recommend: https://www.netsmartz.org/index.aspx
Want to learn how to type faster?
Learn How to Type Faster With These 5 Pointers

Duke Xenner
I haven’t been practicing lately so I only top out at about 95wpm (words per minute), but with continued training it is fully possible to kick your typing speed up to 160wpm or even higher. Why am I mentioning these speeds? Because the average person’s handwriting speed is somewhere around 25-35wpm where the words are short and speed is at the maximum. I only write 20wpm by pencil so when I’m typing, the advantage is pretty obvious.
Here is how you can learn to type fast:
1 Learn the Layout
The primary reason why it takes a long time to punch the right key is that you have to find the right button. Memorize the positions of the keys. Be able to close your eyes and visualize every letter, number, and symbol on the keyboard. If you can do that, then when you are typing, you are not searching for the keys but instead pushing them.
2 Put your hands in the ‘Home’ position
Notice how the ‘F’ and ‘J’ buttons on your keyboard have a special groove on them. Put the index(pointing) finger of your left hand on the ‘F’ and the three fingers left of the index finger on ‘D’, ‘S’, and ‘A’. Now put your right hand’s index finger on the ‘J’, and the other three fingers to the right of it on ‘K’, ‘L’, and ‘;’. Rest both of your thumbs on the ‘spacebar’. Feel the grooves of the ‘F’ and ‘J’ buttons under your index fingers. Your hands are now in the home position. This is the centered position which puts your fingers equally distant to all the keys so that you can type better.
The keyboard was designed to be used this way. The grooves on ‘F’ and ‘J’ are there so that you can find the home position without looking at the keyboard. Try it now. Tilt your head upward so that you see the monitor but not the keyboard at all. Now take your hands off of the keyboard. Feel the keyboard with your fingers until you get your index fingers back on the grooves and your other fingers are on the keys described just previously. Practice this several times. You are only tilting your head up temporarily to prevent you from cheating and looking at the keyboard. When you look at the keyboard, you are cheating yourself and losing your own time because you are relying on your eyes finding the key (slow) rather than using your memory to know where the key is (fast).
3 Practice
Now that you know where to start your hands from and where all of the keys are by memory, you can type without looking at the keyboard. When you get better at typing, and have reaffirmed the positions of the keys into your fingers, you do not even need to look at the monitor to see if you typed the right thing. This frees up your eyes to look at the sheet of paper you are transcribing, to a book you want an excerpt out of, or even the ability to talk to someone while looking at them and taking notes at the same time. The possibilities are endless. However, you cannot expect speed just from thought alone. Your fingers are not used to moving in these ways and need practice.
When you are first learning, say the letters of the word you are typing one at a time and concentrate on where you should move which finger to get to it. You should not need to look at the keyboard to do this. If you find it hard to remember the layout of your keyboard, there’s a link at the end of this article to a site where you can get a ready-made keyboard layout. Just print it out and follow the included instructions to make it stand upright. This isn’t a permanent solution though. It’s just for when you’re learning it.
Eventually you will want to go entirely by memory. I can recommend two ways to improve your memory of the keys. The first is the way I did it, and that’s through TONS of practice. It’s not that hard, but it takes some time. The other way, you might be able to accelerate your learning curve by improving your memory first.

Art
Remember to colour in one direction!
https://www.knowledgehound.com/topics/art.htm
The following quote, paraphrased from the original by Henri Matisse, is one of the best things I've ever read on creativity vs. talent:
"Creation is the artist's true function. But it would be a mistake to ascribe creative power to an inborn talent. Creation begins with vision. The artist has to look at everything as though seeing it for the first time, like a child.
To create is to express what we have within ourselves. We take from our surroundings everything that can nourish our internal vision. We enrich ourselves internally with all the forms we have mastered, which we set to a new rhythm. It is in the expression of this rhythm that the artist's work becomes really creative.
Great love is needed to achieve this, a love capable of inspiring and sustaining that patient striving towards truth, that glowing warmth and that analytic profundity that accompany the birth of any work of art.
But is not love the origin of all creation?"
© 1998 Nita Leland
Achromatic--lacking color, neutral; gray, white or black
Basic palette--based on red, yellow, blue or magenta, yellow cyan primaries
Color scheme--a logical relationship of colors on the color wheel
Dominance--having larger color area or brighter color for emphasis
Earth color--low intensity color created from natural earths or synthetic equivalents
Fugitive color--color that fades or changes over a short period of time
Granulation--sedimentary or settling characteristic of pigment
Hue--the name of a color (red, yellow, blue, etc.)
Intensity--purity or brightness of a color; sometimes called chroma or saturation
Juxtapose--place colors side by side for contrast
Key-- high key: light-to-middle values; low key: middle-to-dark values; full contrast: complete value range from light to dark
Local color--actual color of an object
Movement--direction: horizontal (serene), vertical (stable) or diagonal (energetic)
Neutral--gray, white or black
Opacity--covering power of pigment
Primary colors--colors that can't be mixed--red, yellow blue, magenta, cyan
Quality (paint)--characteristic of painted surface--for example, thin, velvety or overworked
Reflected color--colored light that bounces from a surface and falls on a surface nearby
Split Primaries--two of each primary color used to create bright mixtures
Temperature--the warmth or coolness of a color (red-orange is warmest, blue-green is coolest)
Unity--the purpose of design, when everything is working
Value--light to dark range of a color
Wheel--circular arrangement of colors used in color theory and selection
Xpert--what you can be if you explore color
Yellow--the top of the color wheel--(the lightest value and highest intensity color)
Zen of color--your color intuition, which should always be your final authority.


 by Leonardo Da Vinci.jpg)
